When I use the word "loaded" here it's a non-sexual double entendre. Monte Carlo, part of the city-state of Monaco, is loaded in that it has a ridiculous amount of money. The Monte Carlo cocktail is loaded in that it can make you very drunk if you're not careful. Making its grand entrance in 1948 in David Embury's book The Fine Art of Mixing Drinks, the Monte Carlo is simple and sophisticated.

2 ounces rye
.5 ounces Benedictine DOM
1-2 dashes aromatic bitters

Combine in a mixing glass with ice, stir as if you're suave and rich enough to gamble in Monte Carlo's legendary casino (think James Bond in Goldeneye), and strain into a chilled glass, preferably over a large ice cube.

The Benedictine DOM, a rich French herbal liqueur used in drinks such as my Whiskey Queen, is the key ingredient in the Monte Carlo or its variations. Depending on your perspective, the Benedictine substitutes in for the super simple syrup in an Old Fashioned, or the sweet vermouth in a Manhattan. How dry or sweet you prefer the Monte Carlo depends on the ratio between the rye and the Benedictine. Not into rye? Use bourbon (a Kentucky Colonel), reposado or anejo tequila (a Monte Carlos), or some other aged spirit.

Want to gamble like a Millionaire? A Monte Carlo will make you feel loaded.

"The bitch is dead" -- this is what James Bond icily utters when he learns of the death of Vesper Lynd, the woman who broke his heart. In Casino Royale (both the novel and the movie starring Daniel Craig), Bond falls in love with Vesper before he learns she is a double agent. All of this happens after he creates a cocktail in her honor.

3 ounces gin
1 ounce vodka
.5 ounces Lillet Blanc

Combine in a shaker with ice, shake with the fury of Bond exacting vengeance, and strain into a chilled glass. Lemon peel garnish.

Bond’s original creation is not far removed from a Martini, either the original or his version. Bond's Vesper calls for “three measures of Gordon’s, one of vodka, half a measure of Kina Lillet.” Gordon’s was and is a popular gin. Use whatever gin you prefer or have on hand.  Kina Lillet was a French aperitif wine.  It no longer exists under that name, but with a new formula it’s now known as Lillet Blanc. As you would with vermouth, make sure the Lillet Blanc is fresh and keep it in the fridge. If you can't find Lillet Blanc, dry vermouth is a good substitute. Bond never specifies the vodka brand, which amuses me because in popular culture he forever will be associated with vodka. If you or your guest is not a fan of gin (like I once was), adjust the ratios of gin and vodka.

The Vesper is a big cocktail because it contains four ounces of high proof alcohol.  Go Bond or go home.

In some theologies, purgatory is the state after death before some souls ascend to Heaven. It's also the title of the second book in Dante's Divine Comedy (one of my favorite college classes was about The Inferno). Dante Aligheri in Florence created one of the most famous pieces of Western literature, and Ted Kilgore in Missouri who created the Purgatory cocktail in the mid-2000s.

2.5 ounces rye
.75 ounces Benedictine DOM
.75 ounces green Chartreuse

Combine in a mixing glass with ice, stir while contemplating where your soul might go (mine will travel in the bar car), and strain into a chilled glass. Lemon peel or wedge garnish optional.

Make no mistake, the Purgatory is a powerful drink. Those who are new to cocktails might have one and think they have descended into one of Dante's circles of Hell. The spice in the rye may make you think of Hell, and the silky sweetness of the Benedictine DOM may make you think of Heaven. The rye stands up to the Benedictine DOM, used in drinks such as the Honeymoon or my Whiskey Queen, and the 110 proof green Chartreuse, used in drinks such as the Bijou and the Last Word. Combining two herbal liqueurs from French monastic orders looks strange, at least it did to me. Have some cocktailian faith. You'll find they work well together in the Purgatory.

Regardless of whether you're religious, agnostic, or atheist, warm your soul with a Purgatory.

Signifying "and," the ampersand is a common symbol in the English language (& it makes me think of the late great musical genius Prince). The ampersand symbol dates back a couple of centuries, when children were taught it was the 27th letter of the alphabet. The Ampersand cocktail dates to 1934, when it appeared in Albert Stevens Crockett's The Old Waldorf-Astoria Bar Book. The story is the Ampersand was named for the "&" in Martini & Rossi vermouth.

1 ounce brandy
1 ounce Old Tom gin
1 ounce sweet vermouth
2 dashes orange bitters
.25 ounces curaçao (optional)

Combine in a mixing glass with ice, stir & stir & stir, then strain into a chilled glass.

The Ampersand is a boozy cocktail. The base of three spirits in equal proportions is reminiscent of other underrated classic drinks such as the Bijou. Brandy and Old Tom style gin together? Yes, it looks weird, but it works. Combining Old Tom style gin and sweet vermouth is part of the classic Martinez, so if you like that drink you'll like this one (& vice versa). You could use the more prevalent London Dry style gin in an Ampersand, but then the drink won't be quite as complex (this is one of those times when complexity is a good thing). Curaçao is a type of triple sec (orange liqueur), and if you don't have curacao, Grand Marnier is a good substitute.

Now have some fun & go make yourself an Ampersand!

Known as the "City of Light," Paris is one of the great cities of the world. Ms. Cocktail Den and I have been fortunate enough to explore iconic sites such as the Eiffel Tower and the Champs Élysées, as well as cocktail landmarks to know We'll Always Have Paris. In 1930 the Parisian cocktail appeared in the Savoy Cocktail Book by Harry Craddock. I slightly adapted the recipe.

1.25 ounces gin
1.25 ounces dry vermouth
.75 ounces crème de cassis

Combine in a mixing glass with ice, stir with Parisian joie de vivre, and strain into a chilled glass.

Crème de cassis is a blackcurrant liqueur used in drinks such as the classic Kir or my original Bourbon Renaissance. Almost a full ounce of pretty sweet liqueur needs something to counterbalance it. That's where the gin and dry vermouth come in.  Aside from a Burnt Fuselage or Scofflaw, normally I wouldn't use an ounce or more of dry vermouth in any cocktail, but it works well in a Parisian (the original has equal proportions of all ingredients). Its rich purple color reminds me of the liveliness of Paris and its people. 

Want your cocktail life to shine even brighter? Have a Parisian.

Redheads make up a very small percentage of the population, but they generate a lot of stereotypes. The Wildest Redhead is a creation from Meaghan Dorman, a New York City bartender. She took the Wild Redhead, which first appeared in the 1977 book Jones' Complete Barguide, and enhanced it.

1.5 ounces blended Scotch
Juice from 1/2 lemon (.75 ounces)
.75 ounces honey syrup
.25 ounces allspice dram
.25 ounces cherry Heering

Combine everything except the cherry Heering in a shaker with ice, shake with wild abandonment, and strain into a chilled a glass, preferably rocks and over a large ice cube. Top with the cherry Heering.

Scotch gives the Wildest Redhead a solid base, and it naturally pairs well with the lemon juice and honey syrup.  Dorman (who is a redhead) added allspice dram, part of cocktails such as the Donna Maria or my Les Bon Temps Roulé, to the original drink. Just as Dorman made changes to the predecessor of the Wildest Redhead, I tweaked her recipe ever so slightly. Her recipe calls for a half ounce of rich honey syrup (3:1) ratio, but I use regular honey syrup (1:1 ratio). Cherry Heering brings a nice finishing touch to the Wildest Redhead. If pairing Scotch and cherry Heering intrigues you, definitely have a Royal Blood.

Ready to get a little wild? You know what to drink.

Navigating helps you get where you're going. When Ms. Cocktail Den and I travel on vacation, she's frequently the navigator. If it wasn't for her, we might still be lost on picturesque desert highways in New Mexico, empty rural roads in Ireland, or the congested urban maze of Bangkok.  The Navigator comes from London, where Jamie Terrell created it in 2005.

2 ounces gin
.75 ounces lupo limoncello
Juice from 1/4 grapefruit

Combine in a shaker with ice, shake as if you're zipping across the waves or through the sky, and strain into a chilled glass. Grapefruit peel garnish optional.  

If you're looking for a surprisingly pleasant sour drink, the Navigator is it. Gin pairs well with lemon, e.g. the Bee's Knees, and lime, e.g. the Last Word, so there's no reason it wouldn't pair well with grapefruit. The Navigator brings gin together with two citrus flavors. The sugar in the limoncello keeps the Navigator from overpowering you with citrus and botanicals. The flavor balance could come at a price if you're not careful. Overindulge in Navigators and you could end up way off course, both literally and sobrietally. 

To paraphrase the Bible verse, seek a Navigator and you shall find a really good drink.

I'll get to it later. Tomorrow. Next week. We've all procrastinated. Maybe you're doing it right now. The Procrastination is a cocktail that's definitely worth reading about and drinking. Paul Clarke in Seattle created the Procrastination, and I slightly adapted the recipe after discovering it in Difford's Guide.

2 ounces gin
.75 ounces Lupo limoncello
.5 ounces dry vermouth
.25 ounces green Chartreuse

Combine in a mixing glass with ice, stir slowly as if you're procrastinating, and strain into a glass, preferably a coupe. Lemon peel garnish optional.

The Procrastination is smooth and strong. Its combination of gin, vermouth, and citrus flavor is reminiscent of my Gintringuing, and the combination of gin, limoncello, and Chartreuse makes it similar to a Lemony (which I also learned about courtesy of Difford's Guide). The green Chartreuse, used in drinks such as the Last Word and the Tipperary, adds a little kick to the Procrastination. The difference between Clarke's original and my version is simple -- Clarke calls for 1/6 ounce of Chartreuse, and I just rounded up to a quarter ounce to make my life easier.

Now stop procrastinating and make yourself a Procrastination.

There are many myths about lions. For example, they don't have a king (sorry Disney fans) or live in jungles. One truth is a lion family is known as a pride. The Lion's Tail first appeared in 1937 in the Café Royal Cocktail Book. Reputable sources speculate an American expat bartender created the Lion's Tail in Britain during Prohibition, and the expression "twisting the lion's tail" originally referred to provoking Britain (a lion is on its coat of arms). 

2 ounces bourbon
.5 ounces allspice dram
.5 ounces super simple syrup
Juice from 1/2 lime
2 dashes Angostura bitters

Combine in a shaker with ice, shake with the power of a lion's roar, and strain into a chilled glass, preferably a coupe. Lime peel garnish optional.

Mixing common and uncommon ingredients, the Lion's Tail works better than you might think. Its use of bourbon,  legally an American spirit, supports the theory the Lion's Tail had an American creator. Incorporating allspice dram, a rum based liqueur you'll see in the Donna Maria or my Les Bon Temps Roulé, gives the Lion's Tail a vague tropical vibe. Similarly, Angostura bitters originated in Venezuela and has called Trinidad & Tobago home for more than a century.

A Lion's Tail -- it's hakuna matata for your liver and spirit.

A cloister is an architectural feature in monasteries, convents, and other religious institutions.  The Cloister is a drink that comes from an unquestionably non-religious institution: the Playboy Bartender's Guide. Published in 1971, the book and the Cloister are my age. In 2011 Jim Meehan, who created the Brown Bomber and the Newark, mentioned the drink in his PDT Cocktail Book.

1.5 ounces gin
.5 ounces yellow Chartreuse
Juice from 1/8 grapefruit
Juice from 1/4 lemon
.25 ounces super simple syrup

Combine in a shaker with ice, shake with the resonant rhythm of a Gregorian chant (which I like), and strain into a chilled glass.  Grapefruit peel garnish optional.

Considering the word cloister, either used as a noun or verb, frequently comes up in connection with monks, it's no surprise the Cloister contains Chartreuse. As we see in cocktails such as the Last Word, gin and green Chartreuse go well together, but for the Cloister you want to go yellow. The Phil Collins also combines gin and yellow Chartreuse, which is a key part of non-gin drinks such as the Diamondback. Along with the super simple syrup, the yellow Chartreuse keeps the Cloister from being overwhelmingly tart.

Have a Cloister, and you may have a, dare I say, religious experience.