Many people have had a one night stand at some point.  Are you thinking about one right now? Put aside your X-rated memories and focus on this cocktail creation from Brian Ireland and Demetri Karnessis. I discovered it in Chilled magazine.

2 ounces gin
.5 ounces Aperol
.5 ounces triple sec
Juice from 1/4 grapefruit

Combine in a shaker with ice, shake like (do you really need an analogy here?), and strain into a chilled glass.  Orange peel garnish optional.

Ireland and Karnessis use a particular brand of gin in the One Night Stand, but they don't call for a specific triple sec (a generic term for an orange liqueur). I like Cointreau, which I use in my Cancer Killer #1 and the Margarita. If you prefer a different triple sec, go for it.  Aperol, a part of the Naked and Famous and my Venetian Kiss, is a lighter amaro. Combine all of these spirits with the grapefruit juice, and you'll get an undeniably pink drink. If you like the One Night Stand, you might like similarly themed drinks such as the Intense Ginger Sutra and the Hanky Panky.

Enjoy the One Night Stand, but recognize too many could lead to something bad -- a hangover or something a Penicillin won't cure. Cheers!

Art can be words on a page, images on a screen, liquids in a glass. Ernest Hemingway was a famous author (and drinker), and Mary Pickford was a trailblazing actress at the dawn of the Hollywood film industry. Named for one of his novels, The Sun Also Rises is an absinthe enhanced twist on the Hemingway Daiquiri. She had an eponymous drink created during one of her movies. Crillon Importers generously provided a free bottle of Absente Absinthe Refined so I could play with it, and the When Ernest Met Mary is my resulting attempt at cocktail art.

2 ounces rum
.5 ounces maraschino liqueur
.25 ounces absinthe
.5 ounces pineapple juice
Juice from 1/4 lime (.25 ounces)

Combine in a shaker with ice, shake with passionate and artistic flair, and strain into a chilled glass. Lime wedge and/or Luxardo cherry garnish optional.

Like its predecessors, the When Ernest Met Mary uses rum and maraschino liqueur. Half an ounce of maraschino liqueur might seem like a lot, but it leads to a balanced cocktail. The pineapple juice comes from the Mary Pickford, and the lime juice comes from the Hemingway Daiquiri. Use fresh juices if you can. Absinthe adds a splash of anise to this cocktail canvas. I decided to use absinthe directly in the When Ernest Met Mary as you might in a Millionaire, not a rinse as you would in a Sazerac. A little absinthe goes a long way.

Ms. Pickford, meet Mr. Hemingway. Mr. Hemingway, meet Ms. Pickford. And to you ... cheers!

The people of New Orleans are known for their joyous, free spirited lifestyle. Monks are not. That includes the monks of the small Carthusian Order. The Carthusians are known for their Chartreuse liqueur. Combine it with the Sazerac, the official cocktail of New Orleans, and you get a Carthusian Sazerac. Spice Kitchen & Bar in Cleveland created this drink, and my fellow cocktailian Michael Bounds, creator of the Ides Of March and the Another Green World, introduced me to it.

2.5 ounces rye
.75 ounces super simple syrup
.25 ounces green Chartreuse
2 dashes lemon bitters
Teaspoon of absinthe

Swirl the absinthe so you coat the inside of a chilled glass, then discard the remainder. Combine the other ingredients in a glass and stir with the rhythmic solemnity of a mass or a slow jazz piece. Lemon twist garnish optional.

If you like "spirit forward" (I love this euphemism) cocktails, the Carthusian Sazerac is for you. Rye is a powerful base of any Sazerac or spinoffs such as the Orange Satchmo. Green Chartreuse, a key component of the Bijou and the Last Word, has more alcohol by volume than most whiskies and its yellow counterpart, which you use in drinks such as the Diamondback and the Renegade. Lemon bitters, which are fairly easy to acquire, substitute for the Peychaud's bitters that are an indispensable part of the iconic Sazerac.

Whether you're introverted like a stereotypical monk, extroverted like a stereotypical New Orleanian, or both, the Carthusian Sazerac might be for you.

What type of lady? I admit I had to look up the word "verdant" to confirm it means what I thought it did. Let me save you a minute -- it means a rich green color, especially in connection with grass or vegetation. The history behind the Verdant Lady is far less clear than the meaning of the word "verdant." It may have originated in San Francisco around 2007. Past that I can't tell you. Despite its hazy past, the Verdant Lady lady is crisp, cool, and a lot stronger than it looks.

1.5 ounces gin
.5 ounces green Chartreuse
.5 ounces super simple syrup
Juice from 1/2 lime
5-6 mint leaves

Muddle the mint, lime juice, and super simple syrup in the base of a shaker, add the two liquors and ice, shake with the forceful elegance of a true lady, and strain into a chilled glass. Mint garnish optional.

The Verdant Lady resembles a lot of other good cocktails. The Whiskey Smash and the Mint Julep immediately come to my mind (a smash has citrus, a julep does not). My fellow cocktailian Jeff Moore, who introduced me to the Verdant Lady, accurately describes the drink as a gin and Chartreuse smash.  The combination of gin and green Chartreuse is reminiscent of a Last Word. And last but not least, it shares gin and part of its name with the White Lady. Comparisons aside, the Verdant Lady stands out on its own and is very green.

People frequently think the grass is greener on the other side, but usually it isn't. The Verdant Lady is a tasty exception.

A new corporate client and a new original creation are auspicious signs. Late last year Government Marketing University asked me to present about successful branding, and design a signature cocktail for its GAIN 2020 conference. Guided by my previous experiences such as rocking the red carpet with Cognitio and a golden jubilee with Government Executive Media Group, the result was the unique Everything to GAIN.

2 ounces vodka
.5 ounces triple sec (I prefer Cointreau)
.5 ounces maple syrup
2 dashes Angostura bitters

Combine in a mixing glass with ice, stir with a positive feeling, and strain into a chilled glass.

I was delighted when the people at Government Marketing University requested I use vodka as a base spirit. Using vodka presents sort of a challenge. It can act as a blank canvas for a cocktail, so you really have to tinker with the other ingredients and the ratios. For the Everything to GAIN I added Cointreau to bring a hint of citrus. Maple syrup is an unusual sweetener in cocktails, but it works nicely here just as it does in drinks such as the Japanese Maple. Like every other ingredient in the Everything to GAIN, maple syrup is easily accessible. 

Presenting at GAIN 2020 was a lot of fun even though it was different. Thanks to the COVID-19 pandemic (which is still around despite efforts towards the Flattening Curve), the presentation had to be pre-recorded, so there couldn't be any of the spontaneous give and take that I love so much.

When you have an Everything to GAIN, you have nothing to lose ... except your worries.

It could be a meeting. A movie. A date. A year (I'm looking at you, 2020). After it's over you're just stunned, annoyed, or something else. The Time I'll Never Get Back is the antidote to that feeling. The Wulf Cocktail Den has a tradition of unveiling a new drink in the new year. Considering the general catastrophe that was 2020, at the dawn of 2021 the Time I'll Never Get Back continues this tradition.

2 ounces bourbon or rye
.5 ounces sweet vermouth
.5 ounces triple sec
2 dashes Angostura bitters

Combine in a mixing glass with ice, stir with a sigh of relief, and strain into a chilled glass.

Veteran cocktail enthusiasts, and most novice ones, immediately will see the Time I'll Never Get Back is a simple variation on a Manhattan. Using Old Tom gin instead of bourbon or rye makes the drink a riff off a Martinez. To use one of my favorite drink euphemisms, the Time I'll Never Get Back is "alcohol forward." That's deliberate. If you want to try to erase or suppress the memory of wasted time, why waste your time on a watered down drink?

The Time I'll Never Get Back lends itself to experimentation. The type of whiskey will use will make a difference. So will the triple sec, a term that generally refers to orange liqueurs. For example, I'm a big fan of Cointreau, which I use in the 24601, but I figure Grand Marnier, an indispensable part of the Burnt Fuselage, also works quite well.

Spend some time with a Time I'll Never Get Back, and you won't want the experience to end.

"Ask not what your country can do for you, ask what you can do for your country." This memorable call to action in President John Fitzgerald Kennedy's inaugural address inspired and challenged Americans in 1961. Roughly 40 years later legendary bartender and author Dale DeGroff created the Fitzgerald at the Rainbow Room in New York. Compared to its original name (Gin Thing), the name Fitzgerald evokes more class.

2 ounces gin
1 ounce super simple syrup
Juice from 1/2 lemon
2 dashes Angostura bitters

Combine in a shaker with ice, shake as if you're excited to have a drink with a certain President (JFK) or author (F. Scott Fitzgerald), and strain into a chilled glass. Lemon wedge garnish optional.

The Fitzgerald is easy to make, tasty, and refreshing.  It is more or less the gin equivalent of a Whiskey Sour or a Lemon Drop with bitters. DeGroff uses an ounce and a half of gin to an ounce of simple syrup, but I like the Fitzgerald better with a 2:1 ratio. The bitters make it vaguely pink. Reputedly President Kennedy preferred a Daiquiri or a Bloody Mary, but my guess is he would have had a Fitzgerald or three while going toe to toe with the Soviet Union during the Cuban Missile Crisis (read a book about it or see the movie Thirteen Days). Feeling Presidential? Think about having a Roosevelt, a Fireside Chat, or an El Presidente.

And so my fellow cocktailians -- ask not what a Fitzgerald can make for you, ask when you can make a Fitzgerald.

Originally known as a Whiskey Cocktail, Americans started ordering the Old Fashioned in the first half of the 19th century. The history behind the name is unclear. The earliest clear reference to the Old Fashioned is in an 1880 Chicago newspaper article, and within 15 years cocktail books used the same name to describe the same drink. The name change may have occurred when many drinkers, confronted with evolving and more complex cocktails, demanded a return to the days of simpler drinks.

2 ounces bourbon or rye
.25 ounces super simple syrup
2 dashes Angostura bitters

Combine in a mixing glass with ice, stir with some old fashioned fun, and strain into a rocks glass over ice. Orange peel garnish optional.

Why do I describe the Old Fashioned as a true cocktail? Besides its iconic status in the cocktail world, the Old Fashioned meets the technical, modern definition of a cocktail -- it consists of a spirit, sugar, water (the ice), and bitters. For the spirit, some people insist you only can use bourbon in an Old Fashioned, while others insist you only can use rye. My suggestion? Try making two Old Fashioneds, one with each spirit, and see which one you like. I prefer using simple syrup instead of muddling a sugar cube with the bitters and a little water. I'm not a fan of adding fruit to the Old Fashioned, because in my opinion fruit detracts from the drink's elegant simplicity.

Sometimes the term “old fashioned” can be derogatory and refer to something that should be consigned to the dustbins of history. The Old Fashioned is the glorious opposite.

The word "honeymoon" evokes thoughts of happiness and new beginnings. It can refer specifically to a honeymoon after a wedding (Ms. Cocktail Den and I went to Hawaii), or more generally to the period after a positive change in your life. First mentioned in a 1916 book from Hugo Ensslin, who also gave us the Aviation, the Honeymoon was a featured drink at the famous but now defunct Brown Derby restaurant in Los Angeles.

2 ounces applejack or apple brandy
.5 ounces Benedictine DOM
.5 ounces triple sec (see below)
Juice from 1/2 lemon

Combine in a shaker with ice, shake with the passion of (use your imagination), and strain into a chilled glass.

When you compare apples to apples, you'll know today applejack is a blend of apple brandy and grain neutral spirits, and apple brandy is exactly what it sounds like (Laird's makes both). Either spirit works well in the Honeymoon. If you like cocktails with an apple flavor, try the classic Jack Rose, the underappreciated Diamondback, or my original American Apple. Brought to us by French monks (not the ones behind Chartreuse), Benedictine DOM is an herbal liqueur used in drinks such as my Whiskey Queen. A little goes a long way, and it more than justifies its price. The Widow's Kiss is an excellent example of another cocktail combining Benedictine with apple brandy. Triple sec is a generic term for an orange liqueur.  Different Honeymoon recipes call for specific ones.  Even though I'm a big fan of Cointreau, use whichever one you like.

What do you get when you put all of these flavors together in a Honeymoon? A drink that warms your soul and introduces a new period in your cocktail life.

Attending the Tales of the Cocktail conference inspired me and Ms. Cocktail Den to launch this blog in 2014. Since then, we've attended numerous Tales conferences in New Orleans, as well as Tales on Tour in Edinburgh and San Juan. We've met fascinating people, learned a lot, and had great experiences such as when we mixed beats and drinks that led to the creation of the Les Bon Temps Roule.

This year was different. The COVID-19 pandemic made it impossible to have Tales in person.  So what did Tales do in this extraordinary and challenging time in history? It went 100% virtual for the first time. Adapting to a dynamic situation, this Tales involved another first -- it was 100% free. This made Tales available to anyone with a computer or smartphone and a decent Internet connection. 

Catalyst was the theme of this year's Tales. Everyone is a catalyst in their own way, and human catalysts affect everyone. Maybe you listen to a presentation or read a post on a website that leads you to try a new drink. You get the idea. Compared to years past, this year's Tales programming had an increased focus on the people in the cocktail industry. This is a good thing. As with many other industries around the world, the pandemic has had a devastating effect on people's livelihoods. People are resilient, but no one truly knows how how the landscape of the cocktail industry will look once the pandemic subsides.

I couldn't see the iconic Jackson Square in New Orleans this year, so I'll wait until the next Tales.

The sessions I attended generally fell into one of three categories -- spirits (e.g. Amaro 101, Low ABV Cocktails), history (e.g. The Man Behind James Bond, The Rat Pack), and topics that transcend  the cocktail community (e.g. You Sell Cocktails Now Sell Yourself, Storytelling Behind The Bar). As with sessions at live Tales conferences, I learned all sorts of interesting things. For example, did you know Ian Fleming was a big fan of bourbon? I didn't, and I'm a James Bond geek.  

So what were the pros and cons of the first virtual Tales? The big pro for me was the flexibility. You could absorb the presenters' content as it occurred or later. This convenience meant you didn't have to run (occasionally literally) from event to event. Sometimes a live Tales or Tales on Tour gives you a sense of underlying FOMO. As in, "I want to hear ____ talk about ____ but it's the same time as the session on ______." That wasn't an issue this year because you had the convenience of seeing and hearing everything and everyone you wanted. All of the sessions were on demand (https://www.youtube.com/playlist?list=PL60KktNa23J0tn7NAf3-NSLigFRYjJy9W). A silver lining pro that's actually the result of a con? I didn't gain weight from eating really good local food.

The con of the virtual Tales has nothing to do with the people involved in the conference or the sessions. It was the inability to have the spontaneous and serendipitous in person encounters that make Tales truly memorable. For example, Ms. Cocktail Den and I always will remember meeting Vodka Girl ATX, who we had been following online, in a small conference room at the Hotel Monteleone, or bonding in Edinburgh with a diverse group who became the self-anointed Inebriants. I miss having opportunities to connect like that. Meeting people virtually is fine, but it's a poor substitute for meeting in person. Thanks a lot, COVID-19. Of course, the virus also prevented me from being in the unique city of New Orleans.

There was one aspect of the virtual Tales that, depending on your perspective, was a pro or a con. To what do I refer? No mandatory controlled day drinking. During the days of Tales or a Tales on Tour you're always trying new spirits and cocktails. I'm not saying I abstained from booze during this year's Tales. I'm simply saying I drank far less than I did at any other Tales or Tales on Tour.  

As for Tales, here's my wish -- next year in New Orleans!