Once again Cognitio, a great corporate client, asked me to consult and design a cocktail menu for its holiday party. Last year the party had a Roaring '20s theme.  This year the theme was the Red Carpet from Hollywood to Bollywood. So what did people drink at this glamorous party?

Encore -- This is a renamed Mary Pickford, who was Hollywood's first premier actress. Take 2 ounces light rum, 1 ounce pineapple juice (preferably fresh), .25 ounces Luxardo maraschino liqueur, and .25 ounces glorious grenadine syrup.  Stir, use a coupe glass if possible, Luxardo maraschino or amarena cherry garnish optional.

Red Carpet -- This is a modified Boulevardier. Take 2 ounces bourbon, .5 ounce sweet vermouth, and .5 ounces Aperol.  Stir, use a coupe or martini glass if possible, orange peel garnish optional.

Tuxedo -- The Tuxedo is a group of drinks, all of which use gin.  Take 2 ounces dry gin, .5 ounces dry vermouth, .5 ounces Luxardo maraschino liqueur, and 2 dashes Angostura orange bitters.  Stir, use a coupe glass if possible, Luxardo maraschino cherry, amarena cherry, or orange peel garnish optional.

And The Award Goes To -- This is a renamed Champagne Cocktail. Take 1 sugar cube, 1-2 dashes Angostura bitters, edible cocktail glitter (optional) and sparkling wine or Champagne.  Put the sugar cube and glitter in a champagne flute, add the bitters, then add the sparkling wine.

Who Are You Wearing --  This is a modified Sidecar.  Take 1.5 ounces cognac, 1 ounce triple sec (I recommend Cointreau), .5 ounces super simple syrup, and juice from 1/8 lemon (fresh if possible, .25 ounces max).  Shake, use martini or coupe glass if possible, lemon peel garnish optional.

Charles Hall, COO and CKO of Cognitio Corp, had this to say: “For the second year in a row, Cognitio has consulted with Josh Wulf of Wulf Cocktail Den to find unique signature cocktails that reflect the theme and spirit of our annual Holiday Party, which is ‘Red Carpet’ for 2018. We appreciate the care he takes in curating the perfect beverages for our event. One from last year, the ‘Mary Pickford’, was so popular that we brought it back this year, as the ‘Encore’. We’re very happy with how Josh’s cocktails add to the success of our event. We look forward to working with him again next year!”

In addition to throwing a fabulous holiday party, Cognitio is a longtime supporter of USO-Metro.  Cognitio combined the two so guests could contribute to USO-Metro through the end of January, 2019. So in a way, the Wulf Cocktail Den is helping people imbibe for a noble cause.

Cheers!

"Come Fly With Me" is one of my favorite Frank Sinatra songs. The Aviation cocktail took flight (pun intended) around the time the late Chairman of the Board was born. In 1916 Hugo Ensslin published a cocktail recipe book that included the Aviation.  Just as wind currents and shear can affect an aircraft in flight, the history of the Aviation has been a bit turbulent. Many thanks to our friend Alexandra Barstalker, who we met at Bryant & Mack during Tales on Tour in Edinburgh, and her Aviation Project for inspiring me to try to make this pre-Prohibition classic.

1.75 ounces dry gin
.5 ounces Luxardo maraschino liqueur
.5 ounces crème de violette
Juice from 1/4 lemon

Combine in a shaker with ice, shake as if you could use some exotic booze and know there's a bar in far Bombay (now Mumbai; listen to the song), and strain into a chilled glass.  Luxardo cherry garnish optional.

So what is crème de violette? It's what gives the Aviation its pale purple color, and it's what distinguishes the original Ensslin recipe from later recipes. You can get it online if you can't find it at your local liquor store. Crème de violette is a 40 proof liqueur that's floral and vaguely sweet. Without it the Aviation basically becomes a gin sour, which is fine but doesn't evoke the old school glamour of flight and air travel.

When Ensslin wrote about the Aviation human flight was a pretty new technology, and when Sinatra sang about air travel it wasn't nearly as widespread as it is today. As with the Frank Sinatra cocktail, I doubt he would have had a drink that looked like the Aviation.

Many modern versions of the Aviation have a little more gin and a little less crème de violette. To me those versions result in a drink with unnecessarily heavy juniper and citrus flavors. My version incorporates those flavors and introduces a subtle hint of sweetness.

Does the Aviation intrigue you?  Then come fly with me, let's fly, let's fly away.

"Laissez les bon temps roulé" is French for "let the good times roll," and it's an unofficial slogan of the city of New Orleans. Ms. Cocktail Den and I first created the Les Bon Temps Roulé when we mixed beats and drinks at a D'Ussé cognac event during the Tales of the Cocktail conference.  The concoction was okay (especially considering we only had five minutes to create and execute an original cocktail), but not great. After I experimented at home, here is the new and improved version.

2.25 ounces cognac or brandy
.5 ounces allspice dram
.25 ounces super simple syrup
3 dashes tiki bitters (I used Embitterment)

Combine in a mixing glass or shaker with ice, stir with some enlightened passion, and strain into a chilled glass.  Orange peel garnish optional.

Like the rapper Pitbull's description of himself, I like to think the Les Bon Temps Roulé is sexy and sophisticated. The cognac or brandy you use is important.  After all, it is the primary ingredient.  While I certainly thank D'Ussé for inspiring me to create the Les Bon Temps Roulé, and it works well in the drink, use your preferred cognac or brandy.  They're all torched Dutch grapes. Just remember all cognac is brandy, but all brandy isn't cognac.

The Les Bon Temps Roulé is an intriguing mix of Old World (cognac or brandy) and New World (allspice dram and tiki bitters).  The allspice dram, a rum based liqueur in other drinks such as the Donna Maria, and tiki bitters give the drink some lively flavors. It's easy to find allspice dram and tiki bitters online if your local store doesn't carry them.

Will the Les Bon Temps Roulé end up in the pantheon of great well known New Orleans drinks such as the Vieux Carré, Sazerac, and Hurricane, or great but less well known drinks such as the Antoine's Smile? Time will tell.  But in the meantime -- let the good times roll!

Denmark has aggressive drivers?  Not really. During our time wandering around Copenhagen, Ms. Cocktail Den and I learned bicycles are the preferred mode of transportation.  The name of the Danish Road Rage comes from an offhand joke our walking tour guide made as we explored the city. The "incident" occurred when one bicycle rider rang their bell at another rider. Twice. The inspiration for the cocktail comes from an off menu item from Richard at the great 1105 bar in Copenhagen (he's from Scotland; this is yet another example of the transnational nature of cocktail culture).

3 ounces aquavit (preferably from Denmark)
.5 ounces dry vermouth
2 dashes lavender or orange bitters

Combine in a shaker with ice, stir with the graceful rhythm of navigating Copenhagen's bicycle lanes, and strain into a chilled glass.

The Danish Road Rage essentially is a martini using aquavit instead of vodka or gin. If James Bond worked for PET (the Danish intelligence agency) instead of MI6, he would drink this. I suggest using a clear aquavit such as Taffel or Jubilauems (I used the former in the picture, Richard used the latter when he made a drink for me) from Aalborg. Make sure whatever vermouth you use is reasonably fresh. As for the bitters, lavender is tough to find, but using it will make a spectacular Danish Road Rage. If you're willing to go online, I suggest ordering lavender bitters from Embitterment, which also makes excellent orange bitters.

Regardless of whether or not you have to deal with traffic stupidity, the Danish Road Rage is the cure.

Where there's smoke, there's fire. Or in the case of the East-West Magic, where there's a bit of smoke, there's an exquisite and earthy cocktail. Cheongsam is an American company that hand makes unique tea liqueurs in China from locally sourced tea. Ms. Cocktail Den and I met the people behind Cheongsam at the Tales of the Cocktail conference this year, and after trying the liqueurs we were dying to conduct some experiments with them. The East-West Magic is an original creation incorporating some smoke from Cheongsam's Smokey Mist liqueur (the East) and Scotch (the West).

1.5 ounces Scotch (see below)
.75 ounces Cheongsam Smokey Mist liqueur
Juice from 1/4 lemon
3 dashes cardamom bitters

Combine in a shaker with ice, shake with the initial jolt of seeing smoke even when you're expecting it, and strain into a chilled glass.

The East-West Magic has some unusual ingredients that might be hard to find.  Reward yourself and find them. You can get all of them online. While the Smokey Mist liqueur is a critical part of the East-West Magic, don't overlook the Scotch.  Use one with a little smoky undertone, but not too much (I used Highland Park 12). If the Scotch is too smoky or peaty you'll miss the subtle joy of the Cheongsam liqueur. If you like the East-West Magic, you might like the Penicillin (or my tequila and mezcal based spin on it, the Mexicillin), or an even smokier drink such as the Fireside Chat. The cardamom bitters give the East-West Magic some liquid nuance.

As you savor this cocktail, it's ok to channel the popular 1980s tune from the Cars (mentioned in the Blinker) and sing --uh oh, it's East-West Magic.

Pear and ginger might sound like a weird combination.  Sometimes weird is good.  In the case of the Intense Spiced Pear Martini, it's really good. Why is it intense?  Because I used Barrow's Intense ginger liqueur (full disclosure -- Ms. Cocktail Den and I are small investors).  This original creation is an adaptation of a drink on the menu at a McCormick & Schmick's restaurant.

2 ounces pear vodka (I used Wild Roots)
1 ounce Barrow's Intense ginger liqueur
Juice from 1/8 lime
1 dash cinnamon
1 dash nutmeg

Combine in a shaker with ice, shake with fiery emphasis, and strain into a chilled glass. Candied ginger and/or nutmeg garnish optional.

There aren't many pear vodkas on the market.  If you can get your hands on Wild Roots, do it. We tasted its vodkas at the recent Tales of the Cocktail conference, and the people there generously provided us with some free bottles for cocktail experiments. Grey Goose also makes a good pear vodka, but Wild Roots has a more pronounced pear flavor. I tested two versions, one with Wild Roots and one with Grey Goose.  In our view the one with Wild Roots was the clear winner.

Barrow's Intense is in liquor stores in most states.  If it's not yet in your local store, you can get it online. Without Barrow's Intense, the drink just won't be the same. If you don't have pear vodka on hand, you can use Barrow's Intense to make something similar, such as an Intense Ginger Lime Martini.

This cocktail is spiced but not spicy. I thought the drink upon which it is based was unnecessarily complicated. That one had seven ingredients.  In comparison, the Intense Spiced Pear Martini has five and is far superior. If it's a little too spicy for you, add a little St. Germain elderflower liqueur (used in drinks such as the Flower of Normandy), orgeat syrup, or super simple syrup.

Do you want to be a little wild? A little spicy?  A little intense?  Then answer the call from the Intense Spiced Pear Martini.

CFIT is an aviation acronym that stands for "controlled flight into terrain."  It's a benign sounding term for a catastrophic event -- a type of crash.  The Burnt Fuselage is a creation from Chuck Kerwood, a fighter pilot in the Lafayette Escadrille, which was a squadron mostly composed of American volunteers who flew for France in World War I. Kerwood survived the war, and the Burnt Fuselage lives on thanks to advocates such as cocktail historian and author David Wondrich.

1 ounce Cognac
1 ounce Grand Marnier
1 ounce dry vermouth, preferably French (I used Noilly Prat)

Combine in a shaker with ice, stir with joyous relief of not being part of a burnt fuselage, and strain into a chilled glass.  Lemon peel garnish optional.

Despite its ominous name, the Burnt Fuselage is a well structured and lively drink. Given its history, it's appropriate to use all French spirits. In discussing torched Dutch grapes we learned all Cognac is brandy, but all brandy isn't Cognac. Definitely use Grand Marnier.  Its distinctive blend of orange liqueur and Cognac really works well.  Even though I'm a big fan of Cointreau, an orange liqueur I use in drinks such as the Margarita and Orange Satchmo, my experiment using it in the Burnt Fuselage sort of went down in flames (pun intended).

The Burnt Fuselage is another example of Americans creating cocktails abroad.  My guess is Prohibition was a big reason for this pattern in cocktail history.  Other examples of Americans creating cocktails abroad include the Pisco Sour, the Boulevardier, and the Mary Pickford.

If you see fit (get it? if not, say it out loud) to try a Burnt Fuselage, you'll be a cocktail ace.

Who knew being a DJ is like being a bartender? I never thought about it until Ms. Cocktail Den and I attended an event hosted by D'Ussé cognac at Tales of the Cocktail in New Orleans. Whether they're professionals or amateurs (or as I described myself during the event, a professional amateur) DJs and bartenders are artists. One has music as their medium and the other has cocktails.

The first part of the event was about the music.  9th Wonder, a big time hip hop record producer and DJ, spoke about DJing and laid down a few beats. I must confess I had not heard of him, but I certainly have heard of many of the artists with whom he's worked, e.g. Beyoncé and Ludacris. Along with Jay Clipp, a nationally known DJ, 9th Wonder showed what goes into spinning records (or audio files on a computer) and creating some great music. It's a lot harder than it looks. The presentation was really interesting, even for someone like me who has very little knowledge of hip hop and no musical talent. Ms. Cocktail Den, who has musical talent, thought the connections are fascinating.

The second part of the event focused on D'Ussé cognac and using it in drinks. Everyone stood at tables, each of which had glasses of D'Ussé and bar tools such as mixing glasses, jiggers, and shakers. First Colin Asare-Appiah, the dynamic D'Ussé brand ambassador, had us taste the cognac.  It's quite good and pretty smooth.  The brand has a music connection, as rapper and producer Jay-Z is a part owner.

Mixing the Les Bon Temps Roulé ( 2 ounces D'Ussé cognac, 1/2 ounce simple syrup, 1/2 ounce allspice dram, 2 dashes tiki bitters, orange peel garnish -- I thought the result was too sweet).

After tasting the cognac, Colin presented everyone with a challenge -- create a cocktail using D'Ussé as the base spirit in five minutes. Everyone had access to other possible ingredients including a small selection of other spirits, syrups, citrus, and bitters.  I admit I got flustered, in large part because most people in the room were highly accomplished professional bartenders. For example, the people standing behind us were from Le Syndicat, a Tales nominee for the best International Cocktail Bar.  Ms. Cocktail Den and I persevered. Our spur of the moment creation, the Les Bon Temps Roulé ("the good times roll" in French, "let the good times roll" is an unofficial slogan in New Orleans), didn't turn out quite as well I would have hoped (recipe is in the photo caption). Nonetheless, merci to D'Ussé for a great experience. We got to learn things, create a cocktail, and meet fun and interesting people such as Kapri Robinson and Josh Davis. I even got an offer to do a guest bartending gig; I'm still not sure if he was serious.

So what some of the parallels between mixing records and mixing drinks?

1.   As Colin astutely noted, the standard four count in music is akin to the four components of a cocktail -- spirit, sugar, water, and bitters. The spirit is the beat. You want it to be consistent and noticeable, but not overwhelming.

2.  Mixing records is like mixing drinks. If you mix records abruptly, the effect is jarring. 9th Wonder and Jay Clipp described it as "shoes in the dryer" or "trainwrecking." An unbalanced drink has the same effect on your taste buds as trainwrecking has on your ears.

3.  What's old is new again. Samples from 1970s records appear in a lot of modern music hits. 9th Wonder used a snippet from a Beyonce song to illustrate this point. Similarly, cocktails from pre-Prohibition and Prohibition eras increasingly appear on modern drink menus. The rediscovery of various spirits and recipes have inspired people to create current spins on older cocktails.

Are you ready to be a DJ of drinks? I know you are. Let the good times roll!

Bullfighting is a brutally elegant spectacle of human versus animal. A matador is the man or woman (or rabbit, if you're like me and enjoy the Bugs Bunny cartoon Bully for Bugs) in the ring with the bull.  While there's a rich history of bullfighting on both sides of the Atlantic, particularly in Spain and Mexico, the history of the Matador is murky. The earliest reference to it I could find dates back to 1937. There are many similar versions of the Matador, and this is the one I prefer.

2 ounces blanco or reposado tequila
1 ounce pineapple juice
.5 ounces Cointreau or other triple sec
Juice from 1/2 lime

Combine in a shaker with ice, shake as if you're a bull charging the you know who, and strain into a chilled glass. Lime garnish optional.

My preferred Matador isn't far removed from a Margarita. Almost all versions of the Matador include tequila, pineapple juice, and lime juice.  For me adding a triple sec (orange liqueur) enhances the drink. The same goes for using a reposado tequila, although using a blanco tequila certainly is fine.

One thing I definitely recommend is using fresh pineapple juice. If the resulting drink is too citrusy tart for you, add half an ounce of super simple syrup. You don't want your taste buds to end up like the matador in the movie Blood and Sand, which led to the drink of the same name.

Let's say you realize too late you shoulda taken that left toin at Albukoikee (it's a great line from the cartoon). Stand in the ring. Take a deep breath. Steady your nerves. Have the confidence of a matador as you drink a Matador. And most importantly -- enjoy!

Ms. Cocktail Den had a business trip to Cork, a small city in southwest Ireland, and I shamelessly tagged along. I had a wonderful experience playing the Ode to Joy from Beethoven's Ninth Symphony (you know this great tune, just Google it) on the Shandon Bells in St. Anne's Church. The Good Cork, a creation from Phil Ward in New York City, is much younger than the Shandon Bells, and it evokes fond memories of my brief time in Cork.

1 ounce Irish whiskey
1 ounce mezcal
.5 ounces Benedictine DOM
2 dashes Peychaud's bitters

Combine in a shaker with ice, stir with stereotypical Irish liveliness, and strain into a chilled glass.

Irish whiskey and mezcal (tequila's smokier cousin)?  It works. The Renegade has a similar pairing (bourbon and mezcal) of spice and smoke, and like that drink, the Good Cork is spirit forward. The original calls for Redbreast 12, which is a fine whiskey.  I merely suggest using one of the many whiskies from the New Midleton distillery (the subject of Sine Metu), which is near Cork. Benedictine, an herbal liqueur you use in drinks such as the Racketeer and Widow's Kiss, is flexible enough so that it pulls everything together.

Looking for something unusual, tasty, and strong?  The Good Cork joyously delivers.